Projects

Perceptive, inventive and involving, the productions of opera director Eva Buchmann are responsive to the scale and nature of their environment. Whether conceived for a specific opera house or concert hall, or for touring a diversity of venues, her stagings resonate with immediacy and authenticity.

Scrupulous in her interpretation of both the libretto and the score, Buchmann takes a thoughtful, fresh approach, whether dealing with mainstream repertoire, the revival of a rare work, or a world premiere. Her insights derive not only from her experience in music theatre around the world, but from her professional training as a cellist, psychologist and music therapist.

Two Punto Arte Festival productions that have toured extensively in Europe are Haydn’s Comedy Lo speziale, in which a Fiat 500 is used as part of the stage set and also for storing sets and props, and Erich Ziegler’s Ludmilla, a cabaret-inspired satire from 1944: rediscovered in 2016, it was created during the Jewish composer’s internment in the Westerbork transit camp in the Netherlands. In 2023, Lo speziale (already seen in such cities as Zurich with Tonhalle Orchester, Frankfurt with the Radio Symphony Orchestra (HR), Barcelona with Orchestra Simfònica de Barcelona i National de Catalunya and on tour with Kölner Kammerochester) visits Trondheim. Ludmilla, touring the Netherlands in 2023, will travel in March 2024 to the Meyerson Symphony Center in Dallas for its US premiere with the Dallas Symphony Orchestra.

Eva Buchmann ’s collaborations around Europe with Jan Willem de Vriend include: Don Giovanni (Amsterdam, Basel, St. Moritz), the Singspiel partially attributed to Mozart Der Stein der Weisen (Łódź, Belgium and the Netherlands), Rossinis La Gazzetta (Basel, St. Moritz with the Netherlands Symphony Orchestra), Haydn Il mondo della luna (Łódź and Trondheim with Trondheim Symfonie Orkest & Opera), Händel’s Agrippina (on a tour starting from the Netherlands under the patronage of the Dutch government through the capitals of the European candidate countries Prague, Bratislava, Ljubljana, Budapest and Warsaw with the Combattimento Consort Amsterdam) and Orlando; Bibers Arminio, Salieris Prima la musica, Telemanns Pimpinone und Johann Sebastian Bachs Jagd- und Kaffee-Kantaten at the Leipziger Bachfest.

Her other baroque and classical opera productions include Händel’s Alcina at the Nikikai Opera in Tokyo (2018) and Semele at the Teatr Wielki in Łódź (2017), Mozart’s Le nozze di Figaro at the Croatian National Theater Rijeka and in Italy (2018) as well as Così fan tutte for the Kraków Opera and the acting director for the Tonhalle Orchestra Zurich.

She subsequently brought works by Verdi (La traviata), Rossini (La Cenerentola), Donizetti (Anna Bolena und Rita), Weber (Abu Hassan), Johann Strauss (Die Fledermaus), Mascagni (Cavalleria rusticana), Strawinsky (Mavra) und Géza Frid (Das Tagebuch der Anne Frank) to the stage. In 2018, on behalf of the Tonhalle Orchestra Zurich, she staged the premiere of David Philip Hefti’s The Snow Queen, a musical story inspired by Hans Christian Andersen’s work, for its 150th anniversary.

Her work also includes productions at Moscow’s Stanislavsky Theater and at festivals in Carmel (USA), Malta, St. Moritz, Udine and Amsterdam. Born and educated in Switzerland, Eva Buchmann now lives in Amsterdam. She is a guest lecturer in stage directing at the Łódź Academy of Music.

2024/2025
This biography is to be reproduced without any changes.
Omissions and changes are only permitted after consultation with the agency.

The Europäische FilmPhilarmonie is a concert and production company for film music. It was founded in 2000 by Frank Strobel and Beate Warkentien and is based in Berlin. Under the artistic direction of Frank Strobel, the company continuously researches original film music and new scores as well as restored film prints. The aim of this work is to anchor and establish film concerts as an artform.

The core of the Europäische FilmPhilharmonie’s work is formed by film and film music concerts.

A film concert is a full-length live orchestral performance synchronised with the projection of a film. In addition to The Matrix and Metropolis, these include the popular Chaplin Classics (The Gold Rush, Modern Times, City Lights, The Circus), the German Classics (Der Rosenkavalier, Nosferatu – Eine Symphonie des Grauens, Die Nibelungen, The Adventures of Prince Achmed, etc.) and the Russian Classics (Battleship Potemkin, The New Babylon, The Last Days of St. Petersburg, Ivan the Terrible, Alexander Nevsky and others).

The film music concerts are purely symphonic concert performances with a wide variety of excerpts from film music, depending on the theme of the programme. In addition to the music, there is also a visual level with film clips and stills. Curated film music concert programmes include Master Directors and their Composers: Federico Fellini & Nino Rota, Cinematic Waterworks, The Cinema of Others, Chaplin in Concert – With a smile, Heroes and Villains, Early Sound Film Hits, From the Black Forest to Hollywood and many more.

Since its foundation, the Europäische FilmPhilharmonie has also specialised in the field of film music production. It organises and supervises the recording of music for film productions. Depending on the project, it provides the orchestra, choir, the conductor, the orchestra material, the recording venue, the recording equipment and the sound engineer. Recent film music productions include Das Wunder von Bern and Die Päpstin with music by Marcel Barsotti, Böseckendorf with music by Jörg Rausch, Empire of Silver with music by Cong Su, Han Li and Seikou Nagaoka and Buddenbrooks with music by Hans-Peter Ströer.